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Taking up the hapless heather, she throws it on the ground, and, in a fit of childish spleen, lays her foot upon it and tramples it out of all recognition. Yet, even as she does so, the tears gather in her eyes, and, resting there unshed, transfigure her into a lovely picture that might well be termed "Beauty in Distress." For this faded flower she grieves, as though it were, indeed, a living thing that she has lost.,

Quite near to the poor corpse, a woman sits, young, apparently, and with a handsome figure, though now it is bent and bowed with grief. She is dressed in the ordinary garb of the Irish peasant, with a short gown well tucked up, naked feet, and the sleeves of her dress pushed upwards until they almost reach the shoulder, showing the shapely arm and the small hand that, as a rule, belong to the daughters of Erin and betray the existence of the Spanish blood that in days gone by mingled with theirs.,

"How couldn't I?" replies he. "Come; let us follow it up to the bitter end.",

There is a look upon his face that recalls to her his dead father, and Lady Rodney grows silent. The husband of her youth had been dear to her, in a way, until age had soured him, and this one of all his three children most closely resembled him, both in form and in feature; hence, perhaps, her love for him. She lowers her eyes, and a slow blush—for the blood rises with difficulty in the old—suffuses her face.

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"What have you got behind your back?" says Geoffrey, suddenly, going up to her.,

He smiles again, but Mona is too sad to smile in return.,

"O Death! thou strange, mysterious power, seen every day yet never understood but by the incommunicative dead, what art thou?",

Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome.